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Pluraleyes 4.1 tutorial
Pluraleyes 4.1 tutorial




pluraleyes 4.1 tutorial
  1. #PLURALEYES 4.1 TUTORIAL PRO#
  2. #PLURALEYES 4.1 TUTORIAL SOFTWARE#
  3. #PLURALEYES 4.1 TUTORIAL CODE#

And it gives you the option to toggle between the drift corrected sync and the original audio without correction applied. New in version 4, if drift is detected, PluralEyes automatically fixes it. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. In long clips, sound and video can stop matching up perfectly. Your files will be sorted so that media from the same device are on the same track. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. We’ve made importing media easier than ever.

#PLURALEYES 4.1 TUTORIAL CODE#

PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE’s timeline. Just hit the Sync button, and PluralEyes does the rest. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. That meant you might have to run the sync several times before getting it right. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order…etc.). No need to leave your host application.įeatures Simpler.

#PLURALEYES 4.1 TUTORIAL PRO#

With the new PluralEyes Premiere Pro Panel, use the power of PluralEyes to sync your files directly inside of Premiere Pro. No more tedious syncing by hand! Sync in Premiere Pro

pluraleyes 4.1 tutorial

Instantaneously sync your audio and video footage even if you don’t have clapboards or timecode. Red Giant PluralEyes scrutinizes the soundtrack from your video footage or camera files and matches them up flawlessly, in nothing flat. PluralEyes 4.0 is available for $299 standalone, and for $399 as part of Shooter Suite 13.PluralEyes takes the pain out of syncing video and audio! But having all that functionality now available within Premiere has made a fast and enjoyable process even more so.

#PLURALEYES 4.1 TUTORIAL SOFTWARE#

Previous versions of the software had performed well for me in the past as standalone apps: there was something very satisfying in seeing all those clips rearrange themselves in a matter of seconds. Shooting live music is one of the many applications for which a tool like this fits just perfectly, and all in all, I was very happy with PluralEyes 4.0. PluralEyes 4 Hands-on Experience: Conclusion They were all being recorded separately to different devices. You can watch the end result here:

pluraleyes 4.1 tutorial

In addition to Maria’s dynamic microphone, I had a pair of small diaphragm condenser mics recording Samuel’s guitar and another pair of microphones recording room ambience. The setup consisted of 3 cameras-2 recording in 4K and the other in HD-and of course their respective audio. I had to keep the setup simple due to the space constraints in the office but I also wanted to give PluralEyes enough to chew on, so to speak. They are a couple of very talented, Vienna-based musicians originally from Honduras, and they were happy to drop by to perform an acoustic version of their upcoming single. With very little time to plan, I remembered that my good friends Maria Jose and Samuel just happened to be playing a gig near the Cinema5D office. I was particularly interested in PluralEyes’ integration with Adobe Premiere Pro. The folks over at Red Giant were kind enough to provide us with a copy to try, and I decided to put the software to test. Tim’s article from last month covered PluralEyes within this release extensively, so do have a read if this announcement managed to pass you by. Red Giant recently released their Shooter Suite 13, a collection of utility plugins that can help you at several stages of post-production. Today we’re trying out Red Giant’s newest version of their audio syncing plugin, PluralEyes 4.0, and testing how it stacks up against Premiere’s native sync tool.






Pluraleyes 4.1 tutorial